From The Land of Tethered to the Land of Un: A Journey of Truth Toward Freedom

I can’t believe I’m starting off this piece with a biblical reference, but it seems apropos as most of us have heard the phrase, “The truth will set you free” (John 8:32, KJV). That might actually be true. The truth can certainly have a positive effect on people. It can also hurt like hell. But let me focus on the clarity-providing positive aspects of the truth.

I have long avoided asking questions to which I feared the answers. Answers that I suspected I knew but didn’t officially know. In recent weeks, however, I asked some of those questions of my family, and I was graced with a bit of truth in their answers.

Imagine wandering aimlessly down a path cracked with uncertainty, overgrown with weeds of assumption, constantly trying to evade being ensnared by snaking vines of suspicion. This path is in the Land of Tethered and I’ve been walking it for a long time. Avoiding. It’s exhausting. I thought knowing the truth would hurt too much, so I avoided it. I trudged along, believing the “truth” in my head. I let the unspoken “truth” weigh me down. I’ve been rambling down the path wearing concrete shoes.

Turns out I was right about the answers. I know my family loves me. But being loved is different from being supported. Love might allow one to throw out the welcome mat but that doesn’t mean it will open all the doors. There is silence between us. Conversations, when they happen, have moved into the zone of politesse. There is no depth, no revealing honesty. We tiptoe around each other, avoiding topics like religion, politics, anything LGBTQ. We’re on different sides. What I didn’t know is there’s a perception that I am selfish and self-absorbed. Those thorny words pricked my skin. Yet, I know I can be both. But so can we all at times. It was expressed to me that I am the cause of heartbreak, which is never my intention. But sometimes our actions and choices break the hearts of those we love. Sometimes even the questions we ask. My heart has definitely been in a state of break due to the choices made by my family based on a religious moral code. But the most surprising disclosure of this truth-telling delivery was the anger. I was on the receiving end of anger that I didn’t know existed. I’m usually the angry one.

We are not entitled to know what other people think about us. And we would all probably be better served not knowing. But learning the truth, in a way, released me. I was relieved to know that what I had always thought was the truth was actually the truth. I began to accept it. I began to process the fact that I will (likely) never have the relationship with my family that I long for or the type of support from them that I desire.

I was recently speaking with a gallery associate at the Bowersock Gallery in Provincetown, Massachusetts, about the artist/owner’s series of hot air balloon paintings. I had first seen a few of the paintings in the series in June 2021, when I was there to celebrate my 50th birthday. I was so drawn to them. Initially I thought it was because in October 2010, my best friend, on the occasion of his turning 40, had planned a hot air balloon ride in the Berkshires as part of the celebration. However, the weather didn’t cooperate. The winds were too strong that day. The hot air balloon ride was cancelled.

It was nearly eleven years later that I first laid eyes on Steve Bowersock‘s hot air balloons. Set against ominous skies, these colorful hot air balloons were floating toward something, away from something, through and above. They hovered in their dreamscape world, frozen but not. Were they carrying the rider into danger or transporting him to freedom? One painting in particular continues to fascinate me. In it, a rope dangles freely from the basket of the balloon, a body clinging to it. I can’t help but wonder if the person is trying to climb aboard or trying to escape?

(I want in.)

My best friend was on that trip but not in the gallery with me on the day of discovery. I wanted him to see those beautiful hot air balloons. I found him and brought him to the gallery. I hoped he would love them as much as I did. I hoped he would buy one and then by proximity I would be able to view it and contemplate its strange surreal beauty every time I was at his home. Alas, he did not buy one. And while he liked them, he wasn’t actually as drawn to them as I.

I’ve been to Provincetown a few times since that trip. Each time I’ve stopped in the Bowersock Gallery to see if any of the hot air balloon paintings remained. There’s always been one or two available. I’ve always gotten to see them. Ponder them. Wonder what was happening in their world. But on my most recent visit in October 2023, they hung in the gallery no more. Sold. All of them. And it was during that visit, and the aforementioned conversation with the gallery associate, that I began to think more deeply about the hot air balloons.

They’re untethered. They’re free. They can float aimlessly but they can also soar with direction. I want that. I want to leave the path.

Admitting the truth that I am non-binary gave me a sense of freedom. Learning what I feared was true is true gave me a sense of freedom. What am I doing? Why do I keep trying? I want to be accepted for who I am in all of my queer, non-binary fabulousness. Not despite who I am. I’m not sure I even want to keep pushing and trying to educate. I’m kind of tired. And that’s not a bad thing. I think my family is just as stuck as I’ve been but I don’t have to be. I can soar.

I’ve found a clearing at this juncture in the path and I’ve stepped into it. The clouds might be ominous but there’s a sliver of sun shining through. There’s a balloon. It’s beautiful: pink and teal blue patterned in yellow and purple, sage and red. I feel hesitant but I also feel the thrill. I want to untie the rope and get in the basket. I want to soar upward and float freely away to the Land of Un, knowing that even if a major wind blows me off course, I will be fine because just like the balloon I can right the course or even change direction.

Using hindsight, one can always connect the dots of a past experience to that of his present, finding greater meaning in something from then when applying it to now. Maybe the meaning is something he couldn’t see at the time. It’s possible the hot air balloon paintings were simply something I loved because they made me think about my best friend and his canceled hot air balloon ride. But maybe they represented something that I longed for even before I understood fully what that was and how desperately I needed it.

Funny thing about this truth: it wasn’t as heavy as I’d feared. None of it. The fear itself is what was heavy. The fear is what choked the path, kept me tethered to the ground. I don’t believe the truth has fully set me free. Not yet. My fear did not magically disappear. But I know it has helped me feel freer. And while I will probably continue to fear the truth, even after knowing and understanding its benefits (it’s my pattern), my hope is that I will spend less time limiting myself in the Land of Tethered and more time soaring free among the clouds in the Land of Un.

Another Coming Out: I’m Non-Binary, My Pronouns Are He/Him, But I Also Respond to Hey Gurl.

LGBT Foundation, a United Kingdom-based charity whose roots date back to 1975, defines non-binary as “people who feel their gender cannot be defined within the margins of gender binary. Instead, they understand their gender in a way that goes beyond simply identifying as either a man or a woman.” 

It can go deeper than that. Some people identify as both male and female while others identify as neither. Some feel that their gender fluctuates with fluidity between the two. 

I am that. That is me.

I have written more than a little about my young life in small-town Kentucky. As early as three- or four-years old I discovered my mother’s shoes. Specifically, a pair of white platform sandals. I loved those shoes. Who knows why? How often do we hear that children like playing with the box better than the toy that came in it? All I know is little boy Michael loved those shoes. 

What I also know is that I always got in trouble when I got caught wearing them. I know our memories can cloud and change as we get older. What was once just a statement can become a stern reprimand. But I do remember the words always being a stern reprimand to take off those shoes.

I will always believe that this is when the seed of my shame was planted. And that it has been growing since before I understood what shame was or that I was feeling it.

I’ve written about when my foot had finally grown to the size of my mother’s and what pure joy I felt when her high heels actually fit my feet. I loved getting to stay at home alone while my parents were away grocery shopping or running other errands. I wore a pair of her heels from the minute the car was out of sight until I heard it pulling back into our driveway. Of course, I always made sure to put them back where I found them because I didn’t want to get caught. And I sure didn’t want the reprimand (possibly in the form of a spanking) that would follow.

Fast forward to 40-something me living in New York City. I was dying to paint all ten of my fingernails, but afraid to do so. I allowed myself just one at first, then two. I professed them just a part of my style. I always felt like I needed an answer for why I only painted the one (eventually the pair). My therapist at the time said my answer need only be that I liked it. I tried that for a while. 

Eventually I felt brave enough to let my inner female show herself. But not on my hands.

I bought a pair of Gucci platform heels and I felt fabulous while wearing them and supported by those around me. Jewelry followed: cocktail rings, jeweled bracelets, earrings. It was baby steps in the coming, these outward expressions of femininity. 

Eventually I got all ten nails painted—September 12, 2019. I felt complete. I was nervous to be seen…a man with painted fingernails. But I loved them. I had been denying myself this happiness of expression out of fear for way too long. The color was dark slate gray. A very masculine color for fall. Masculine. I remember thinking that. As if the color being masculine would somehow be a distraction from the fact that I was a male with painted nails.

The gray was fine and the reaction was positive. But what I really wanted was pink. 

It took a while to get there. I had tried pinks and reds when I was still painting only one (or two) nails. The color made me uncomfortable. I found myself hiding the nail when coated with one of these shades. I was embarrassed by it. I had no idea why? Maybe because I saw pink as feminine?

Eye shadow, lipstick, perfume, and a white asymmetrical Halston jumpsuit joined list of feminine expressions

Eventually I succumbed to my desire and got all ten nails painted pink. It was life. It was empowering. Pink is so vibrant and alive. It has energy that no gray will ever possess. I became a pink-nail queen. I almost feel incomplete when my nails are not some shade of pink. I do allow other colors to live on my nails from time to time, but it always comes back to pink.

All of these things are mile markers on my journey: questioning myself, discovering myself, revealing myself, accepting myself (if only in small increments).

I’ve been questioning my gender for some time now, though I would always conclude I’m a cis gay male: assigned male at birth and living as male. However, the questioning began in earnest one day when I approached a person on my subway platform wearing pearls. I was curious if this person felt nervous and guarded like I always do when wearing categorically feminine attire and/or accessories. We got on the same train and as we rode into Manhattan we talked. She was a trans female and younger than I. She was kind and generous. She let me ask questions and she answered. She posed questions. After that conversation I couldn’t stop examining myself. I know there are a lot of people who hate labels but I wanted to figure out where I fit. I wanted a label to help me understand, accept, belong.

I did a lot of thinking. 

I thought about how when I was a child I always liked to be the wife or girlfriend when I played house with my male cousins. If I could be pregnant in our make-believe world I was even happier. And I loved being a bride.

I thought about how I often feel pretty not handsome. 

I thought about how I often feel female not male.

But I didn’t feel as if I was in the wrong body. One of the questions I asked the woman on that subway ride was: “When did you feel like you were in the wrong body?” She said she’d never felt that way. Her answer was a revelation. 

I couldn’t get there until I got there.

I don’t feel like I’m in the wrong body either. I like my penis. I don’t want breasts. I just don’t feel like I’m wholly male. I truly feel I am both male and female, yet not exclusively one or the other. I definitely feel more feminine most days but the male side of me comes out to play sometimes too.

I admitted the truth: to myself and others. It's been there all along. I finally feel brave enough to admit it.

On October 3, 2023, I finally had the courage to say that I am non-binary. At the time of this writing I feel happy. I feel light. I feel as if I might be even closer to understanding, accepting, and loving myself than ever before. I feel like admitting this out loud to my friends makes it even more real to me. As if admitting it has allowed me to breathe in my skin for the first time in years. Maybe now I will finally begin to dispel the shame.

My name is Michael Rohrer. I am non-binary. I am human. I am gay. I am queer. I am a person in progress. I am on a journey and my most recent discovery is “huge,” to quote my friend Mandy.

I am.

Now, if you’ll excuse me, I need to go put on some lipstick then change the sheets on my bed.

"Chaque petit détail joue un rôle"

The gray clouds purged themselves once more today as the City of Lights remained dimmed and dampened by the rain that, like me, hung around for another day.  

The chill of fall was in the air as the breeze blew through the City, no sun to warm it's gentle sting...er...caress. Scarves and trench coats were as normal a sight as, say, long lines at the Eiffel Tower. 

Aside from the positive aspect of getting to spend an extra day in Paris, there was the excitement of what that extra meant for me. If you've kept up with these adventures of a solo traveler (I finished reading The Phantom of the Opera during my crépe and cafè crème this morning), you know that the Water Lillies rooms in the Musée de l'Orangerie were closed through 12 Septembre. If you've seen your calendar today you know it's 13 Septembre. That means...you guessed it...I got to see the Water Lillies. As frustrating as a cancelled flight can be, this circumstance certainly had more than one upside. 

I was not prepared for the beauty that awaited me just beyond the concrete opening that led to the two oval rooms that housed the Lillies. The cold gray of the sky -- and the structure's interior -- gave way to the delicate warmth of Monet's Water Lillies as they hung, panoramic around the rooms, forever caught in their tranquil grace. Morning. Afternoon. Evening. There is color. And then there is Monet's use of color. Dark purples, sea green-blues, blue-greens, sea foam green, burgundy, brilliant blue, pink, yellow. Blends. Swirls. Up close you can see the brush strokes and maybe not quite put into focus the picture. But stepping away brings it all together. One can actually see ripples in the water. There's truth, illusion, and beauty from a distance. 

I was like a child on Christmas morning; running into the family room, starring at all the packages under the tree. I walked round and round the oval rooms, marveling at what hung in front of me. My eyes observed and absorbed. I soaked in it and soaked it in. Does it get any better than seeing art hanging in the rooms it which it was designed to hang? The scope and size of these paintings was unlike anything I can recall seeing before. I've seen large painings, but nothing quite as majestic. Even with the lack of skylight illumination (gray skies be damned) they were stunning.

Downstairs there was a long wall full of Renoir. That place. That museum. It was the one that inspired me. The pieces were hung in the open (no protective glass Mona) for close examination (no protective stanchions, Venus). The paintings seemed truly to be art for the people; for us, the visitors, to admire and enjoy. 

Matisse was there. And Picasso; Cézanne. Works by great artists that were close enough to touch. (That action would be discouraged and frowned upon.) 

I often find myself wondering why some art is considered so fabulous or important. Then I remember beauty is in the eye of the beholder and an artist's particular style can change the art form. Not everyone can do what some of these artists did. Not everyone can sing, dance, act, or write. Not everyone can paint. Not everyone can be a creative artist. 

To be an artist takes vulnerability. One has to put himself -- his vision, his point of view -- on display for all the world to admire, gawk at, or possibly, loathe. We humans are fickle, opinionated creatures. We can love you one minute then leave you the next. We might then have a change of heart and find a reason you were important all along. Or maybe we just pretend you never really mattered at all. Beauty truly is in the eye of the beholder. And opinions, positive and negative, really don't matter as long as the artist is pleased with his finished product.

Upon exiting Musée de l'Orangerie, the sun had broken through the gray clouds. Even as sprinkles continued to fall from the stranglers, patches of blue sky were beginning to reveal themselves, daring you not to see them. "Look up! Look. Up."

Art dares you to see it. It challenges you. It makes you question what you're seeing, reading, watching. It begs you to feel something. Like any artist, the Universe is no different. It begs you to open your eyes and see, inhale deeply and smell, savor the taste of the wine, hear the music in the sounds around you.

I accepted your challenge, dear Universe. I survived the rain and smiled at the sunshine and blue sky. I saw it. I knew how happy I should be and I was. I listened, and I savored. 

Merci, Paris pour le plaisir de votre compagnie.